For more pleasure, if you don't have good speakers, use a Headphone! These images and these sounds were recorded during a travel from "Toulouse" to "Paris", and from "Paris" to "Martinique". We see the North and the South of "Martinique", the Atlantic Ocean and the Caribbean Sea, during the rainy season in July, 2011. This small video was thought before I arrive on the scene. The images were not priority but it's the sound which guided the shoot and the edition. Sounds recorded with a zoom H4N (post sync). Images shot with a tripod and a 7D. Music ; snow angel summer - Voyager One 2011

She's just looking for a home. Written, Directed, Shot, and Edited by Brian Troy Staring Bethany Ditnes Story inspired by The Black Keys Song: She's Long Gone Album: Brothers Special Thanks to: My wonderful wife.

Synopsis: "Au 21eme siecle, un conflit affectif et générationnel entre une mère et son fils à un détail près...La mère n'est autre que la Mort." FAN PAGE FACEBOOK facebook.com/​pages/​Mortys-le-film/​173739699339413 Mortys est un film co-réalisé par, Gaëlle Lebègue (modélisation, blend shape, animation), Ness (direction artistique, décors, matte painting, caméra mapping, texture), Mathieu Vidal (character design, modélisation, blend shape, animation), Nicolas Villeneuve (direction de production, lighting, rendering, compositing) et produit par l'ESMA de Montpellier. Mortys a remporté le second prix du jury de fin d'étude composé entre autres de Dreamworks, Framestore, Dneg, The Mill, Nwave, Chez Eddy, Mac Guff, Ilion, Ubisoft, Delapost...etc... Voix: Barbara Tissier, Tom Trouffier Musique: Frédéric Abrial Sound Design: Studio des aviateurs, José Vicente Scénario: Gaëlle Lebègue, Ness, Mathieu Vidal, Nicolas Villeneuve. Idée originale: Mathieu Vidal Lien: mortys-lefilm.com/​ Réalisateurs Mortys Gaëlle Lebègue vimeo.com/​15532989 Ness aurelien-ness.com/​ Mathieu Vidal vimeo.com/​15370537 Nicolas Villeneuve cgvilleneuve.com/​ Compositeur Frédéric Abrial elasticstudio.fr/​ Orchestrateur Isaac Chia isaachia.com/​ Direction orchestre Jean-Xavier Mary Direction chorale Patrice Baudry Sélections et prix Festival Voix d'étoiles- France: Projection hors compétition Festival Cinemascotte- France: Prix du Jeune Public Emagiciens- France: Prix du Public. Animex, Angleterre : Sélection Cortoons Film Festival, Italie : Sélection Festival sur les pas de mon Oncle, France : Prix du jeune public. Cinemator, France : Sélection Manlleu Film festival , Espagne : Sélection Festival, court mais bon !, France : Prix du public Festival, Silence ! On court, France : Sélection Festival Arcipelago, Italie : Sélection Xscience Film festival, Italie : Prix Mention Spéciale Détour en ciné court , France : Sélection Umbria Film festival, Italie : Sélection Festival Video Bochum, Allemagne : Sélection Festival Tolosa Tourne : Prix du Meilleur court métrage d’Animation

One of the most incredible animation i have in a long time. This film rocked my world and changed my life!

Turn the volume way up and click the fullscreen Thank you Johanna, Emma and Cindy mmmatt.com

2veinte having fun on free time - headphones recommended 2veinte.com.ar Creative direction: Pablo Gostanian Design, Compositing and Animation: Pablo Gostanian, Andrés Remazzina, Alex Gostanian, Martín Salfity, Daniel Cantor Morales, Sebastián García. Music and Sound fx: Martin Salfity

Album: Underneath the Pine Label: Carpark Director: Jordan Kim Executive Producers: Stephen Buchanan, Jamie Kohn Rabineau Producer: Jonathan Montepare DP: Chris Saul Cast: Kyle Mooney, Daniel Franzese, Ashkahn Shahparnia, Bebe Zeva, Rebecca Coleman Costume: Natalie Toren Production Designer: Todd Fjelsted Choreographer: Mecca Andrews Title Design: Ashkahn Shahparnia Animation/FX: Cris Shapan, Michael Wingate, Laura Darlington, Jordan Kim Thanks: Julia Vickerman, Trent Wolbe, Jeffrey Max toroymoi.blogspot.com carparkrecords.com enchanted-fern.com

Photographed with a Canon 5D MkII and Canon 14mm f/2.8L II Directed/Animated/Edited by Calvin Frederick Music by Daniel Eaton Danielcastledine.com Filmed using a Motion Control Camera Rig No computer generated effects or compositing utilized. Made at CalArts (2011)

Eine filmische Auseinandersetzung mit den Absurditäten des modernen Lebens. Experimenteller Kurzfilm der mit den Mitteln der surrealistischen Kunst spielt. Betreut durch Prof. Rochus Hartmann und Professor Dr. Joachim Krausse Entstanden in einem Zeitraum von 10 Wochen. Art Direction, Design, Camera, Animation, Compositing: Falko Tilgner l Patrick Paulin Sounddesign: Lukas Rittwage l Sebastian Laurich

We've just Written, Directed & Produced this Music Promo for Black Black Hills’ debut single ‘The Celebration’. 
Upon hearing the track we immediately felt inspired to create something that was firmly rooted in British folklore. Black Black Hills’ single ‘The Celebration’ is available from itunes and Amazon now. Check out their Facebook page facebook.com/​blackblackhills and their Soundcloud page soundcloud.com/​blackblackhills 
'The Celebration’ is a thematically and emotively dark sounding song. Because of this we wanted to tell a simple but very cinematic and gripping story focusing on the atmosphere of the track without being a literal translation of the lyrics. As the track is so evocative, we felt that to do the song any justice we needed to tell a story. We also purposefully wanted to create something that subtly blurred the boundary between ‘Short Film’ and ‘Music Promo’. The outcome of our efforts was a unique take on the idea of a modern gothic thriller. A story that combines the sort of imagery familiar to ancient folklore, pagan-esque ceremonies and the creepy stuff of ‘pulp literature’ style ghost stories. ‘The Celebration’ purposefully sets out to embrace the notion of a ‘British Mythology’. To create a contemporary fable that celebrates the mystifying forces of nature which lie deep within the ancient woodland and forests of rural England. The film itself tells a tale of the furtive exploits of an illegal metal detectorist (a ‘Nighthawk’) in a rural English landscape as he sets about trespassing and plundering secluded parts of the land with dire consequences. This allowed us to build a narrative foundation with which we could turn the everyday, the idyllic and the quaint into something far more sinister. We wanted to teeter on the brink of the unknown and play with the primal instincts buried deep within the collective, evolutionary psyche. The shoot: As this was a self funded by us (Blac Ionica) for Black Black Hills, we had a very limited budget which in turn dictated what format we could shoot on. We knew we wanted to shoot something very cinematic but it had to be on a budget, so in light of that and after extensive discussions with the D.O.P. we decided to shoot on a Canon 7D with a steadicam rig and Anamorphic Prime lenses. We shot for two days in two separate locations with a fantastic cast and crew. The first day of shooting was slightly thwarted by our unpredictable ‘British summertime’ weather, but in the end it actually worked in our favour, as it helped to create an additional overall ‘moodiness’ that we hadn’t bargained for at this time of year. 
Post production was handled by ourselves with the help of our excellent team of freelancers and compositors. All of which was further enhanced through the grade which was kindly provided by the Moving Picture Company, London. A little bit about the Directors/us: We are a Film Directing trio called Blac Ionica, we are based in London and we also shoot Commercials and make Title Sequences. In 2009 we were nominated for a UK Music Video Award and we are currently seeking Music Video representation. To find out more info about the Promo or to contact us web: blacionica.com email: info@blacionica.com follow us on twitter: twitter.com/​BlacIonica Credits: 
 Directors: Blac Ionica 
Production Company: Blac Ionica
 Story By: Blac Ionica
 Producer: Blac Ionica
 Production Assistant: Millie Marsh 
1st Assistant Director: Isusko Garcia
 Director of Photography: Will Bex
 Focus Puller: Eva Arnold
 Steadicam: Rob Hart
 2nd AC/DIT Tech: Lami Okrekson
 Casting Director: Jane Frisby 
Location Manager: Ben Carter @ Lovely Locations 
Stylist: Adelaide Turnbull
 Make-Up: Jo-Jo Copeman
 Art Department / Props: Rebecca Todd
 Art Department Assistant: George Evennett 
Catering day 1: Sasha Turnbull
 Catering day 2: Ambassador Catering
 Runners: Jess Bishopp, Chris Shooter, Daisy Gatehouse Post Production:
 Editors: Alec Rossiter, Leanne Welham
 Head of Production, MPC: Jonathan Davies
Colourist/Grade: Steve Gatti @ MPC
 Producer for MPC: Glen Purcevil
 VFX: Blac Ionica 
Additional VFX: Barnaby Hewlett
 VFX Compositing: Barnaby Hewlett, Jamie Howlett, Kooch Chung
 Sound Design: Blac Ionica Cast:
 Metal Detectorist: Frank Jakeman
 Woman: Helen Terry
 Police Officer: Lee Harris
 Shadows: Arno Baernhoft, Christopher Beck, Riyonn Farsad, Michael Tomlinson Special thanks to Ben @ Lovely Locations, the wonderful Turnbull family, Jane Frisby, Sam Lawson & Another Film Company, Will Bex, Rebecca Todd, Jo-Jo, Barnaby and his alter ego Barnold Shwarzenegger aka the Barnicles, Kooch & Jamie, Ambassador Catering. Jonathan Davies, Steve Gatti & Glen Purcivel @ MPC. Frank Jakeman, Helen Terry and all of our exceptionally talented cast and crew.