bogota, march 2011 images & edit by vincent moon sounds & mix by andres velasquez produced by vincent moon & simon mejia myspace.com/​bombaestereo

Video for Teebs "Moments" of the album Ardour (brainfeedersite.com/​2010/​10/​19/​teebs-ardour/​). Please donate to my next film project on kickstarter: kickstarter.com/​projects/​ptrillo/​happy-birthday-mr-bracewell If everyone that has watched this video donates 1¢ we will reach our goal! Almost 200 smokes bombs were used to create this seemingly never ending transition. Special thanks to... Erik Vandermolen Joey Becker Asa Turner Nate Corbin Dave Karvesales Stephanie Lin Noah Cunningham

All the hair belongs to Tom Offer-Westort. Hair Cutter: Abby Simon Director/Photo: Peter Simon Music: It's Anarchy by Mr. Pumpkinpants and the Manitee Burnouts This was a band in college that was comprised of Paul Otteson: paulotteson.bandcamp.com/​ and Laura Schultz: goodnightgolddust.bandcamp.com/​ Wow this video has blown up so fast! Thank you everyone!

Short video clip, more info at: boldcreativestudio.com onvisuals.com

A short film directed by Bruno MANGYOKU and Tom HAUGOMAT thanks to Louis TARDIVIER, Mathilde OLLITRAUT-BERNARD, Manuel TANON-TCHI, Vincent MAHE, Alexandre POIRIER, Hélène VAYSSIERES, ARTE FRANCE, COMPTOIR DU SON, CUBE COMPUTER CREATIVE COMPANY. Received the "Jean Luc Xiberras de la première oeuvre" award in ANNECY FESTIVAL 2010

This piece was originally conceived as a part of CG set for a commercial spot about hamburgers throughout recent American history. However, the potential also existed for the set to be the stage for a visual exploration in lighting, composition, and cinematography. So the assets were repurposed to try and achieve that goal. The lighting was originally intended to evoke a sense of an old game show stage after hours, think Price Is Right Showcase after the lights have gone down. Although it did evolve, it should still capture that low-lighting feeling. Color correction was performed in After Effects to try and achieve the look of an old photograph. The popular "Instagram" presets were a big inspiration. Mental Ray was the primary renderer and Adobe products were used for texturing, compositing, and editing.

Some are calling it the biggest and best swell to hit Fiji in 20 years, check out Dean Bowen, Scardy, Nick Vasicek and Mikey Brennan's journey chasing down the monster waves with some of the worlds finest...

Song by Cinematic Orchestra cinematicorchestra.com/​ Shot with a 5D MK II and a 7D Zeiss 35, 50 1.4, 85 1.2, Canon 15mm, 24mm, 24-105, 70-300mm, MOCA Kessler Cineslider, revolution head, and various DIY contraptions I've built for zoom motor control. I sought out to capture the electric radiance of Los Angeles at night. It took me 6 months of on and off shooting to finish this project and I've learned a couple things along the way. First off, LA might be the entertainment capital of the world, but it sure is difficult to shoot around downtown without having homeland security officers, police, or security take notice and harass you. Know your shooting rights! Shooting time lapses is a labor of love and a study in patience. facebook.com/​colinrich1 pacificstarflight.com/​Pacific_Star/​Open.html

Originally created for the Weekend Project group. Inside the studio/bedroom of solo artist Paraic "Pork" King. All photos ©Ricardo Zapata zapataphoto.com Music by Paraic King soundcloud.com/​paraic-king paraicking.tumblr.com

A show by Mayer Hawthorne