Au sein d'un cirque, Gom, un enfant caoutchouc se retrouve inopportunément l'assistant des artistes pendant la représentation. In a circus, Gom, a rubber-boy, has to replace inappropriately the artist's assistant during the show. Directed by: Anthony Delliste (storyboard, modeling, rigging, MEL scripting, camera mapping, animation, editing) Tristan Evin (character & set design, texturing, matte painting) Maxime Guillemin (character & set design, storyboard, layout2D, color script, modeling, lighting, mattepainting, shading, rendering, compositing) Florent Razafimandimby (character modeling, layout 3D, blendshapes & facial rigging, animation, stereoscopy, compositing) Alexis Vallauri (modeling, layout 3D, animation, blendshapes, fluids effects, compositing) Voices by: Emmanuel Garijo Nathalie Homs Julien Kramer Music by: Isaac Chia Mixed by: Jose Vicente & Yoann Poncet; Studio des aviateurs. ESMA Ecole Superieure des Métiers Artistiques 2011 facebook.com/pages/GOM/231350456913747

A video by the Jullien Brothers (Niwouinwouin and Jean Jullien). Costume by Chloe Rood Thanks to Partizan Lab. Listen to the EP, and order the 7inch here: niwouinwouin.bandcamp.com/album/troll-slayer-7-inch-preorder You can order the amazing collector pack made with french brand Mr Poulet here: monsieurpoulet.com/boutique/fr/pack-t-shirt-niwouinwouin-jean-jullien-troll-slayer.html

"During the winter of 2011, my brother Neil and I were presented with a once in a lifetime opportunity. We were to spend two months embedded in the heart of the Kootenays at the legendary Retallack Lodge. The mission was to shred pow with our good friend Tanner, who was on his comeback, and to help film Retallack:The Movie for Inspired Media Concepts. I took the role of the dedicated time lapse junkie, while Neil was a true on slope camera master. This video is a showcase of our skills behind the camera, as well as a few of our favorite long lens shots from Retallack:The Movie. Time lapses make way for deep powder mining, and a trip into the heart of the "silvery slocan" to see how silver miners conquered the mountains a century ago. Mining for powder in the Selkirk mountains is serious business, and we found out just how serious it can get. We hope you enjoy our short film, and perhaps absorb just a sliver of the energy that is Retallack Lodge in beautiful British Columbia." ian provo ianprovo.com/ neilprovo.com/ inspiredmedia.tv/ retallack.com/ music: "Time is the Enemy" Quantic "Cripple Creek" Stringbean "Sitting on top of the world" Sam Chatman "Sitting on top of the world" Grateful Dead Intro graphic: Main title directed by Kilian Amandola and Yoann Ponti Photographer Almira Mederic

There's a lot of waste in this country, especially at Grocery stores. One man is doing something about it... to feed his family. theperennialplate.com twitter.com/perennialplate

Information technology has become a ubiquitous presence. By visualizing the processes that underlie our interactions with this technology we can trace what happens to the information we feed into the network. BFA Thesis CCA Graphic Design

The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities. But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era.

ESPN Short Feature: The Finish Line (Short Version) Produced by Kory Kozak, ESPN Filmed and edited by Evolve Digital Cinema / IMG. Holland Reynolds and the San Francisco University High School cross country team rallied together to get their coach Jim Tracy, who had been diagnosed with ALS, his eighth state championship.

I have dug up the zoetrope, a pre-cinema optical toy, and am using it to create and explore a visual language of loops and spirals. When spun, the complex circular sculptures, dubbed cinetropes, are a blur to the human eye but come to full animated life when viewed through shutter glasses or the lens of a fast-shutter video camera. The Bellows March runs anthropomorphized concertinas through a cycle of destroy-create-destroy, and bridges digital and physical animation processes via 3-D printed, hand-painted cinetropes.

Ivan morison and Heather Peak, in collaboration with Sash Reading (sashreading.tumblr.com) and Queen and Crawford (queenandcrawford.com) Commissioned by Dandara Ltd for the Chart Room, Castle Quay. Filmed on a 5dmk2 @ 1080p25 & 7D 720p50 Time Lapse @ 0:57 Dynamic Perception Rail Lens Info: Canon EF 70-200mm f/2.8L Canon EF 85mm f1.2L Canon EF 50mm f/1.2 L Canon EF 50mm f/1.8 Canon TS-E 24mm f/3.5L Tilt Shift Photography by Matt Porteous mattporteousblog.com/#2490047/Three-Cubes-Colliding jimandtonic.co.uk Made at The Observatory (beobserved.com)

12/24/11 Director + Editor / Eliot Rausch Director of Photography / Matt B. Taylor Story by / Eliot Rausch Written by / Amanda MacLachlan Produced by / Jennette MacLachlan Cast: Pregnant Woman / Arianna Papalexopoulos Man / Alexi Papalexopoulos Driver / Vince Pavia Bus Rider 1 / Chad Dennis Bus Rider 2 / Wolfgang Bodison Bus Rider 3 / Jason Shamburg Original Music / Adam Taylor ataylor.bandcamp.com Location Scout / Jason Wood Production Assistant / Shawn Maguire Inspiration / Darren Rouanzoin Special Thanks to / Über Content